
The Oscars Are Rewarding Hollywood’s Big Bets
Major studios took risks last year that seem to have paid off with Academy voters.

Major studios took risks last year that seem to have paid off with Academy voters.

There’s a better way to approach no’s in your work life.

Fashion, beauty, and food companies are using nonsensical jargon to make a sale.

Republicans deplore the mayhem in Minnesota—but blame protesters and Democrats for it.

The author discusses his new novel, Vigil; the source of his ideas; and fiction as a vehicle for truth.

Peer review has met its match.

The California governor’s pivot to the center may be too late for 2028.

Its museums, more than any others, shape the nation’s narrative. No wonder the country argues about it.

In his first full year back in office, Donald Trump presided over the destruction of America’s civil service, purging roughly 300,000 workers.

Dmitri Mehlhorn has created a fictional world to game out constitutional collapse.

Government social-media managers have transformed official feeds.

This is definitely all going to plan.

A year into Donald Trump’s second term, labeling his governing style remains an elusive goal.

In Quiara Alegría Hudes’s The White Hot, they hurt the people they’re meant to protect.

His interest in the 11th president’s legacy has conjured up the specter of manifest destiny.

Moscow lets it be known how it feels about Trump’s threats against Denmark.

The president’s remarks at the World Economic Forum show that he still doesn’t understand how American greatness functions globally.

Even cities with understaffed police departments have made record gains.

Fiona Hill on Putin’s long game, Trump’s transactional foreign policy, and the danger of mistaking size and bluster for real power. Plus: Trump’s grocery-price fiction and V. S. Naipaul’s Among the Believers.

The Department of Justice is his personal law firm.