Books Briefing
Our culture editors’ weekly guide to the best in books. Sign up for the newsletter here.
Our culture editors’ weekly guide to the best in books. Sign up for the newsletter here.
Alternatives to the medical or economic state of affairs offer hope—and danger.
The author is willing to let her main character be both her double and the butt of her joke.
The kind of freedom that Mavis Gallant’s characters seek can still be out of reach.
Reading al fresco isn’t always idyllic, but it can be sublime.
When our waking thoughts get transmuted into dreams, what do we learn?
Diane DiMassa’s Hothead Paisan is full of unrestrained, devil-may-care attitude.
A new subgenre of literature explores what’s uncovered when you take away someone’s public-facing persona.
Trump’s executive orders have made it downstream to authors.
Perhaps being persuadable is overrated—at least if it means “coming to accept the unacceptable.”
Half a decade on, we now have at least a small body of work that takes on COVID.
Should novelists write the world as it is or as it should be?
Chloe Caldwell’s Women revolves around a life-altering yet toxic affair.
Haley Mlotek’s new memoir finds a fresh way to talk about the dissolution of a marriage.
Sun City offers evidence that Americans’ widespread isolation began long before they became absorbed in their phones.
Two authors’ memoirs attempt to communicate intensely isolating experiences to readers.
In Catherine Airey’s new novel, a young person’s curiosity about a life lived without social media or streaming is deployed to superb effect.
Can any writer offer useful wisdom when ash rains over a metropolis?
Two novels take different approaches to bringing the dead back to life.
Every January 1 in the Books department, we like to make an extra toast for a concurrent holiday: Public Domain Day.
Contemplating death at the start of a new year