
The Scariest Movie of the Year Isn’t a Horror Movie
The Humans turns a difficult Thanksgiving dinner into something grotesque.

The Humans turns a difficult Thanksgiving dinner into something grotesque.

Paul Thomas Anderson’s latest film is an antic comedy, but it’s also a bittersweet reminiscence about how difficult embracing adulthood can be.

The film delves into the insidious world of the Italian luxury label.

His filmmaking debut turns a small-scale musical by the creator of Rent into an inventive piece of cinematic biography.

The 1984 film was a goofy, blue-collar buddy comedy. The new one is a hollow imitation.

The movie functions best as a clear-eyed tribute to the man who put Venus and Serena Williams on their path.

A new Amazon documentary asks where the U.S. transportation secretary’s unflappable demeanor comes from—and what it might accomplish.

Does Spencer portray Princess Diana the person, or just the public image?

The director’s latest film captures a young boy’s perspective faithfully—maybe too faithfully.

Red Notice has A-list actors, globe-trotting set pieces, and a notorious art thief. Why is it so boring?