
The Avatar Sequel’s Worst Character Actually Does the Film a Service
A (partial) defense of the most ridiculous addition to the franchise

A (partial) defense of the most ridiculous addition to the franchise

Damien Chazelle’s new film is an extravaganza of caustic misery and overflowing movie magic.

The British director Joanna Hogg on death, mothers, and the allure of memoir movies

And no one knows it better than he does.

James Cameron’s sequel to his 2009 epic is proof that cinematic wonder still exists.

The Whale aims for noble sentimentality, but Darren Aronofsky can’t stop turning pain into spectacle.

The film is part slavery-era drama, part survival thriller, part war epic—and all confused.

Any writer with an interest in probing “American magic and dread”—to borrow a phrase from the novel—is probably in conversation with Don DeLillo, whether or not she knows it.

An unforgettable year of cinema by newcomers and old masters alike

As if on cue, 2022 has reached into its bag and delivered a jolly old elf who slays.