
You’ve Had a Good Run, Liam Neeson
In Retribution, the septuagenarian plays a man stuck in a vehicle he can’t escape—an apt metaphor for his late-career pivot to action films.

In Retribution, the septuagenarian plays a man stuck in a vehicle he can’t escape—an apt metaphor for his late-career pivot to action films.

Twenty years on, Park Chan-wook’s Oldboy has lost none of its ability to jar viewers.

The raunchy talking-animals comedy Strays contains a warm core about the unconditional love of pets. Who can be mad about that?

Prime Video’s Red, White & Royal Blue is an escapist fantasy that can’t quite escape the real world, no matter how hard it tries.

The queer drama Passages makes poignant observations about power, desire, and the psychological contours of creative life.

A new documentary offers a complex portrait of Black transgender sex workers, with the snappy production values of a Quentin Tarantino or Spike Lee film.

Hero. Villain. Incel. Warrior. Leader. Beach. Ken is not the star of Barbie, but he is its tragic, plastic heart.

Watching Oppenheimer with Richard Rhodes, who wrote a definitive account of the Manhattan Project

Not taking advantage of the success of Barbie and Oppenheimer would be a catastrophic mistake.

“You’re interested in what you’re interested in, and I’m interested in women.”