What Peter Jackson’s Get Back reveals about the Beatles breakup
In his thrillingly transgressive opera The Marriage of Figaro, Mozart pulled off his most amazing musical feat.
The pop star’s new album, 30, is a work of dazzling ambition.
A touring musician reflects on the crumbling, momentary resurgence, and near-instantaneous re-crumbling of live music.
The singer’s 10-minute performance of “All Too Well” was a dazzling reminder of how far she has come as an artist.
Concert catastrophes aren’t an inevitable side effect of mass gatherings, but the result of specific and often avoidable failures.
In her new album, big themes—trauma, gender, social collapse—are just details of her inner life.
Todd Haynes’s documentary about the Velvet Underground spotlights how sound can challenge—and change—society.
A rare live performance of the jazz legend’s masterpiece, A Love Supreme, was thought to be lost to history. But it wasn’t.
Is the collapse of genre boundaries and the erosion of fervent musical loyalties a good thing?
How could a singing competition show that features holographic contestants be this dull?
To convict the R&B singer, prosecutors focused on his network of enablers.
“I hope she does whatever she wants to do—even if that is going to the gas station without shoes on.”
He understands better than almost anyone how to turn angst into a hit.
The rapper embraces his caricature on his new album, but being in on the joke turns out to be pretty boring.
On Donda, the rapper conveys all the imagery of surrender, but little of the weight.
On Solar Power, Lorde surrenders to normalcy—and finds transcendence.
Why are so many pop stars doing everything but releasing new music?
Lorde heads to the beach. Lana Del Rey sings of peace. Billie Eilish is happier than ever. But it doesn’t quite sound like a celebration.
Anti-gay bigotry is on the defensive in hip-hop right now.