Roma and The Favourite tied for the most nods in a year when a clear Best Picture front-runner never quite emerged.
Peter Farrelly’s film has taken over 2019’s awards season despite mounting controversies, critical disinterest, and mediocre ticket sales.
During an appearance on Ellen, the abortive Oscars host cited phantom apologies for his homophobic remarks while DeGeneres pleaded with him to ignore the haters: a spectacle of missing the point.
So far, people have been focusing on the perverse incentives the award creates for Academy voters. But even more pernicious could be the incentives it creates for filmmakers and studios.
Adding a “popular film” category and cutting technical awards to squeeze the ceremony into a three-hour time slot will only dilute the Academy’s brand.
Frances McDormand’s Oscar speech encouraging diverse hiring in the film industry has sparked a mini-trend.
Acclaim for the Academy Award–winning Chilean film has helped revive a lagging gender-identity bill in its home country.
The fact that The Shape of Water was considered the “safe” choice out of the 2018 Best Picture contenders is revealing.
On its biggest night, Hollywood stressed inclusion: from a gentle and safe distance.
Last year, the Trump administration drew the ire of the Hollywood elite. This time around, it was the industry itself.
Diversity. Intersectionality. Representation. The 2018 Academy Awards knew the words to say; whether Hollywood can follow them up with action is a different matter.
Frances McDormand rousingly acknowledged women nominees, Jordan Peele made history, and The Shape of Water won big.
A roundup of all our best stories to get up to speed for the 90th Academy Awards
Our critic explains his picks.
The Shape of Water, Get Out, and Three Billboards Outside Ebbing, Missouri dominated, but there were other surprises as well.