In its second season, And Just Like That seems constrained by its fear of being conventional.
The newest season of Black Mirror is a stale collection of shallow, unfulfilling stories.
I Think You Should Leave reveals the absurdity of office culture.
Lara Logan was once a respected 60 Minutes correspondent. Now she trades in conspiracy theories that even far-right media disavow. What happened?
The final season of Netflix’s sparkly teen comedy acknowledges that transitioning to higher education isn’t always an easy or automatic process.
Daytime soaps, unfairly maligned for too long, might seem in danger of extinction. But prime-time prestige television has absorbed their DNA.
Top Chef has spent the past 20 seasons redefining what it means to be a chef—and a leader.
What to make of two strikingly different series finales—and worldviews
In Shiv, what is often a cliché storyline became both poignant and tragic in the HBO show’s finale.
Happy Valley’s Catherine Cawood is that rarest of TV unicorns: an ordinary woman written with such care that she becomes extraordinary.
The finale of HBO’s hit-man-turned-actor series stripped away its characters’ fantasies of redemption, and found that they had little else left.
The show’s epic finale gave us drama, cruelty, and the cold thud of reality.
Pop culture is finding new currency in the tale of a king beset by madness.
On the terrible mistake of the show’s Season 2 finale
Disney+’s American Born Chinese, based on the best-selling graphic novel, offers a confident take on the second-generation experience.
A new Netflix documentary offers glimpses of the tabloid star but fails to reckon with the forces that ruined her.
In the penultimate episode of Succession, the warring siblings find themselves exposed to the chaos they stoked.
HBO’s new limited series White House Plumbers explores the banal oafishness behind the Watergate scandal.
The problems that Hollywood’s writers are protesting can be seen on our screens.
The magic of the show is that it doesn’t yet have a formula.