The Sisters, Inisfail, and Other Poems

By AUBREY DE VERE. London.

WHATEVER Mr. De Vere writes is welcomed by a select audience. Not taking rank among the great masters of English poetry, he yet possesses a genuine poetic faculty which distinguishes him from “the small harpers with their glees ” who counterfeit; the true gift of Nature. In refined and delicate sensibility, in purity of feeling, in elevation of tone, there is no English writer of verse at the present day who surpasses him. The fine instinct of a poet is united in him with the cultivated taste of a scholar. There is nothing forced or spasmodic in his verse ; it is the true expression of character disciplined by thought and study, of fancy quickened by ready sympathies, of feeling deepened and calmed by faith. As is the case with most English poets since Wordsworth, he invests the impressions received from the various aspects of Nature with moral associations, and with fine spiritual insight he seeks out the inner meaning of the external life of the earth. No one describes more truthfully than he those transient beauties of Nature which in their briefness and their exquisite variety of change elude the coarse grasp of the common observer, and too frequently pass half unnoticed and unfelt even by those whose temperament is susceptive of their inspiring influences, but whose thoughts are occupied with the cares and business of living. But it is especially as the poet of Ireland, and of the Roman Church, that Mr. De Vere presents himself to us in this last volume ; and while, consequently, the subject and treatment of many of the poems contained in it give to them a special rather than a universal interest, the patriotic spirit and the fervor of faith manifest in them appeal powerfully to the sympathies of readers in other countries and of other creeds. “ ' Inisfail ’ may be regarded as a sort of National Chronicle, cast in a form partly lyrical, partly narrative. Its aim is to record the past alone, and that chiefly as its chances might have been sung by those old bards, who, consciously or unconsciously, uttered the voice which comes from a people’s heart.” In this attempt Mr, De Vere has had an uncommon measure of success. The strings of the Irish harp sound with the cadences of fitting harmonies under his hand, as he sings of the sorrows and the joys of Ireland, of the wild storms and the rare sunshine of her pathetic history, — as he denounces vengeance on her oppressors, or blesses the saints and the heroes who have made the land dear and beautiful to its children. The key-note of the series of poems which form this poetic chronicle is struck in the fine verses with which it begins, entitled. “ History,” and of which our space allows us to quote but the opening stanza: —

One of the most vigorous poems in the volume is that called “ The Bard Ethell,” and which represents this hard of the thirteenth century telling in his old age of himself and his country, of his memories, and of the wrongs that he and his land had alike suffered : —

Here is a passage from near the end of this poem : —

But a large part of the volume before us is made up of poems that do not belong to this Irish series, and the readers of the “Atlantic” will find in it several pieces which they will recognize with pleasure as having first appeared in our own pages, and which, once read, were not to be readily forgotten. Mr. De Vere has expressed in several passages his warm sympathy in our national affairs, and his clear appreciation of the great cause, so little understood abroad, which we of the North are engaged in upholding and maintaining. And although in these days of war there is little reading of poetry, and little chance that this volume will find the welcome it deserves and would receive in quieter times in America, we yet trust that it will meet with worthy readers among those who possess their souls in quietness in the midst of the noise of arms, and to such we heartily commend it.