Church Pastorals: Hymns and Tunes for Public and Social Worship
Collected and Arranged by , D.D. Boston : Ticknor & Fields.
THE Rev. Dr. Bushnell, in August, 1852, delivered an address upon “Religious Music” before the Beethoven Society of Yale College at the opening of their new organ. In the peroration of this address, after remarking upon the great assistance which Christian feeling receives in the praise of God from “things without life giving sound,” he goes on to say, — “Let me suggest, also, in this connection, the very great importance of the cultivation of religious music. Every family should be trained in it; every Sunday or common school should have it as one of its exorcises. The Moravians have it as a kind of ordinance of grace for the children ; not without reason; for the powers of feeling and imagination, and the sense of spiritual realities, are developed as much by a training of childhood in religious music as by any other means. We complain that choirs and organs take the music to themselves in our churches, and that nothing is left to the people but to hear their undistinguishable piping, which no one else can join or follow or interpret. This must always be the complaint, till the congregations themselves have exercise enough in singing to make the performance theirs. As soon as they are able to throw in masses of sound that are not barbarous, but Christian, and have a right enjoyment of their feeling in it, they will have the tunes and the style of the exercise in their own way,— not before.....The more sorrowful is it, that, in our present defect of culture, there are so many voices which are more incapable of the right distinctions of sound than things without life, and which, when they attempt to sing, contribute, more to the feeling of woe than of praise.”
These words are as true to-day as when they were uttered twelve years ago. Congregations which do not desire, or cannot afford, to resign the musical portion of their service to professional singers, have something more to do than to complain that the music is bad, or that they do not like paid vocalists to troll out psalmody for them. They must go to work and make their own music,—real music ; for in these days unharmonious sounds are almost as much out of place in the worship of God as an uncatholic spirit and an heretical doctrine. The truth of this principle many societies admit, and some, like the Rev. Henry Ward Beecher’s, have already put it into practice; the majority, however, wait for help to free themselves from the customs which have kept them listeners when they should be creators of vocal praise. The great obstacle to congregational singing has been that the range of tunes already familiar was very limited, while the providing a whole society with the paraphernalia of music-books involved great expense to small purpose, since a large portion of the tunes contained in these books are unavailable for such use, being prepared with a view to the wants of thoroughly trained singers ; besides which, the reference to two books, one for the words and the other for the music, is to many persons perplexing, and to all inconvenient.
“ Church Pastorals” is an attempt to overcome this obstacle, and to extend that help which is wanted. Other attempts have been made before, but we regard this as the most successful, and consider that Dr. Adams has prepared the best hymn-and-tunebook that has yet been issued, as we propose briefly to illustrate by a recapitulation of his plan and his manner of executing it.
The hymns, which are nine hundred and eighty-eight in number, are selected from the great mass of hymn-writers ; although Watts and the Wesleys furnish the foundation, and the materials of the superstructure are largely drawn from Doddridge, Cowper, Toplady, Montgomery, and others of kindred spirit, yet many beautiful things have been added from the later religious poetry, which are no less fervid in feeling, while less pronounced in doctrinal expression. These hymns are arranged in judicious general divisions, which are again analytically separated into special topics placed in logical sequence. After the hymns follow thirty-eight doxologies, the editor having added to the short list of common ones others which are fine enough to become standard at once.
But it is less as a hymn than as a tunebook that “Church Pastorals ” merits the notice of societies and individuals who are truly interested in religious music, and we pass at once to our remarks upon this portion of the work. The compiler, although holding himself personally responsible for every selection, has availed himself of the advice and assistance of persons professionally eminent in sacred music, one of whom placed at his disposal a library which is unique in this country, containing works of which few Americans have owned or seen duplicates, such as rare “ Choral-Bücher ” of German cathedrals, and curious collections of English ecclesiastical compositions, a partial list of which is included in the volume, for the benefit of those who are curious in such matters, or wish to know how far Dr. Adams’s researches have led him. To ascertain how many new melodies of the purest devotional character have been derived from these rich sources a careful examination is necessary, as also to comprehend with what skill the harmony has been preserved or adapted, in order to secure the two desirable results,—absolute freshness and beauty of treatment, and practicability for ordinary use; but a casual inspection will give sufficient indication of the spirit in which the work was undertaken, and of the faithfulness with which it has been completed.
While originality has been properly sought, the old, familiar elements have not been neglected, and those simple songs which were upon the lips of our parents and grandparents, and are yet dear to us from association and intrinsic worth, are set in among the newer strains. The first lines only are given of such as need merely to be recalled to the memory of any who ever sing; but of others, equally prized, but less likely to be remembered, the full score is given.
The doxologies are for the most part set to noble chorals of such strong, straightforward character that they cannot fail to become friends and intimates at once. In them, as in all the tunes, the compass of ordinary voices has been considered; and although nothing has been left undone which could give beauty to melody or scholarly variousness to harmony, the whole has been brought within the range of all singers.
A novel and peculiar feature of the book is its “ Stanzas to be sung impromptu Occasions often arise at social meetings or special services, when it becomes desirable to sing a portion, or even the whole, of some homely, hearty hymn, but, while “ the spirit moves,” the opportunity is lost in the search for the words or the fit air, or in an attempt to “ set the tune.” To meet this want, Dr. Adams has brought together a variety of such stanzas, suited to all times and places, and, coupled with each, the first line of a familiar melody, that the propitious moment may be enjoyed and improved.
It will of course he understood that the tune appointed for each hymn is printed directly above it, all four parts being given at length, the two trebles printed in a not unusual way upon one staff, the tenor and bass having each separate lines. Therefore no difficulty in singing the hymns can be felt even by the inexperienced, especially as one stanza is printed with the notes to show the exact adaptation.
In fine, “ Church Pastorals ” is a work worthy of an extended circulation and capable of great usefulness. It can serve every purpose of public worship, for it embraces all services of the Sabbath congregation or the week-day gathering, and it touches upon all thoughts and feelings of religious assemblies; it is not above the tastes and abilities of an earnest congregation, nor beneath the notice and use of the independent choir. More than this, it has a particular value for the home and the fireside. Every household knows some quiet hour when the family-voices seek to join in the happy harmony of some unpretending hymn, and when the only limit to such grateful music is the failure of memory or the meagreness of the library, which furnishes only the hymns, or, giving the tunes, supplies only a part of the words, — „ for few families possess both sorts of books in plenty for their convenient use. This volume offers all, — the hymn, solemn, hopeful, sad, or jubilant, and united to it a tune, perhaps remembered from recollection’s earliest days, perhaps unknown and untried, but suiting well the spirit of the words, and ready at an instant’s desire to express the sentiment or emotion that rises for utterance. If “ Church Pastorals ” had no other merit, this alone would make it worth possessing by all who love and ever practise sacred music.
A thorough and elaborate index includes in one ingenious list all references, whether to hymns, tunes, or metres ; and the inaccuracies which will creep into even as handsome typography as this are unimportant, and rectified as quickly as observed. The size is convenient, and the shape comely.