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M A R C H 1 9 9 6

by Phoebe-Lou Adams
Paul Gauguin:
A Complete Life
by David Sweetman.
Simon &Schuster, 600 pages,
$34.50.
Buy
Paul Gauguin: A Complete Life
Mr. Sweetman points out that "the one thing about which
Gauguin was fastidiously honest is his frequent claim that he wasn't." "I
am," the painter wrote, "a savage from Peru. If I tell you that on my
mother's side, I descend from a Borgia of Aragon, Viceroy of Peru, you
will say it is not true. . . ." It was true, among much else that
was not, and this is the sort of thing to keep both biographer and reader
alert. It is Mr. Sweetman's intention to account for the development, the
imagery, and the meaning of Gauguin's brilliant but enigmatic paintings.
There is the man with the white horse, the nude Tahitian beauty, the idol,
the monster, the crouching mummy, the white cat--and the anonymous
figures drifting or lurking in the background. These motifs appear in
various combinations throughout the work Gauguin did during his two stays
in Tahiti and his last, disease-ridden days in the Marquesas. Mr. Sweetman
makes intelligent and plausible connections between the images and the
painter's private and professional objectives. Gauguin yearned to make a
large, preferably scandalous, splash in the Paris art world; he became
enthusiastically involved in the post-Darwin, anti-industrial upsurge of
unorthodox spiritual cults, including the Rosicrucians; and he developed
his own concept of a universal faith "of eternal renewal, of rebirth and
continuity and, ultimately, of hope." The promise of "A Complete Life" can
raise the specter of mindlessly assembled trivialities.There is no such
danger in Mr. Sweetman's admirable book, in which everything contributes
meaning to Gauguin's work and illuminates his strange, stubborn,
disaster-ridden life.
The Battle for History:
Re-fighting World War II
by John Keegan.
Vintage/Random House,
128 pages, $10.00.
Buy
The Battle for History:
Re-fighting World War II
Mr. Keegan is a distinguished military historian, but this
book is not a history of the Second World War. It is an explanation of why
no inclusive history of that war has yet been written or perhaps ever will
be, and what amounts to a reading list for anyone wishing to learn about
the conflict from the best of the piecemeal accounts available. The text
is brisk, lucid, dryly witty, and ideal for its intended purpose.
Rain of Iron and Ice
by John S. Lewis.
Addison-Wesley, 288 pages,
$25.00.
Buy
Rain of Iron and Ice
Mr. Lewis is a codirector for science at the NASA/University
of Arizona Space Engineering Research Center for Utilization of Local
Planetary Resources and the commissioner of the Arizona State Space
Commission. He knows a great deal about asteroids, meteorites, and
meteors, and he takes the Earthbound reader on a dizzying tour of the
routes these objects follow and the spots where some have collided with
Earth. More than 200 impact sites have been located, although such study
was long delayed by an intellectual elite dominated by "snotty ignoramuses
who have evidently never been outside at night." What has happened 200
times can happen again, and Mr. Lewis proposes plans for averting what
could be a planetwide catastrophe. His text is not merely alarmist. He
views asteroids as potentially beneficial. It is estimated that the
smallest known metallic asteroid contains "over $1,000 billion worth of
cobalt, $1,000 billion worth of nickel, $800 billion worth of iron, and
$700 billion worth of platinum metals."Mr. Lewis envisions crushing this
asteroid--its name is Amun--and bringing it to Earth "in tiny,
safe packages." He also assumes that should Amun or its like set a
collision course for Earth, there will be ample time to deflect it--if
not to collect that enticing bonanza. Mr. Lewis takes long views and makes
them exciting.
Journey to the
Land of the Flies &
Other Travels
by Aldo Buzzi,
translated by Ann Goldstein.
Random House, 160 pages,
$23.00.
Buy
Journey to the
Land of the Flies &
Other Travels
Mr. Buzzi's travels are an idiosyncratic mixture in which
real places and precise details are interlocked and superimposed upon one
another so that one is rarely certain where the author actually is. His
"facts" are sometimes debatable. If "'cabbage-eater' is what the Russian
is called in America," it must be in a restricted milieu. An Italian train
ride somehow leads to reflections on James Joyce, who "took a route
opposite to that of a normal writer: he began with a classic
(Dubliners), continued with writings that became more and more
complicated (Portrait of the Artist, Ulysses), and ended with a
novel (Finnegans Wake) that is untranslatable and practically
unreadable." Wherever he is and whatever his target, Mr. Buzzi is
surprising.
Ambrose Bierce:
Alone in Bad Company
by Roy Morris Jr.
Crown, 306 pages, $30.00.
Read the first chapter of
Ambrose Bierce:
Alone in Bad Company
Ambrose Bierce (18421914?) wrote a review that should
be posted in every publisher's office:"The covers of this book are too far
apart." He also wrote an all-purpose inimical epitaph:"Here lies
'So-and-so'--as usual." He advised readers of his San Francisco
newspaper column, "Don't believe without evidence. Treat things divine
with marked respect--don't have anything to do with them. Do not trust
humanity without collateral security. . . ." As a social or literary
critic, he used an elephant gun indiscriminately on mice and dinosaurs. As
a fiction writer, he began in the wake of Bret Harte and was later swamped
by Mark Twain, but the best of his macabre tales, whether coldly ironic or
comically bloody, retain a unique power to chill the reader. One critic
stated that "death is Bierce's only subject."There was reason for that
preoccupation. Bierce enlisted in the Ninth Indiana Volunteer Infantry
Regiment at the start of the Civil War and served at Shiloh, Chickamauga,
and Chattanooga, and in numerous less famous but effectively murderous
actions before his luck ran out, in 1864, at Kennesaw Mountain. He
recovered from the head wound but not, Mr. Morris argues, from what he had
seen--although it was more than twenty years before he turned war
memories into fiction. Bierce was, by the way, a very good soldier who
left the Army as an officer, and Mr. Morris, a Civil War historian,
admirably describes the battles Bierce fought and the conditions he met.
The author does well in reconstructing Bierce's subsequent life as an
abrasive newspaperman whose up-and-down career left him, at age
seventy-one, out of fashion and a job. He went off to Mexico, allegedly to
view another civil war, and disappeared. Speculations about his fate have
continued ever since. Mr. Morris disbelieves most of the theories about
Bierce's death and despises some of them. His own theory is as unprovable
as any, but it suits both Bierce's independent character and his penchant
for creating annoyance. This is a fine biography of an eccentric who
remains wickedly quotable.
The Demon-Haunted
World
by Carl Sagan.
Random House, 480 pages,
$25.95.
Professor Sagan's protest against superstition and the
uncritical acceptance of pseudo-scientific claims may not be read by the
audience he hopes to reach; they presumably enjoy reports of rape by
Bigfoot. Even the already-converted skeptic, however, is likely to find
novel points of interest in the author's analysis of flying saucers, alien
abductions, and memories retrieved under hypnosis.
Acid
by Edward Falco.
University of Notre Dame, 248 pages, $25.00/$14.95.
"The Artist," one of the stories in this collection, first
appeared in the October, 1994, Atlantic.
Copyright © 1996 by The Atlantic Monthly Company. All rights
reserved.
The Atlantic Monthly; March 1996; Volume 277, No. 3;
pages 124-126.
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