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October 1991
Looking For Shakespeare
Two partisans explain and debate the authorship
question.
During the past two centuries doubts about the identity of the author of the
works attributed to William Shakespeare have brought a small cottage industry
into being. To date more than 4,000 books have been written on the authorship
question. Passions and interest have always run high.
The roots of the enterprise can be traced to the 1780s, when the Reverend James
Wilmot moved to Warwickshire, where Shakespeare had lived, to gather
information for a biography. After covering himself, in the words of one
scholar, "with the dust of every private bookcase within a radius of 50 miles"
of Stratford and finding no books that had been owned by the playwright or
other physical evidence, Wilmot burned his notes for fear of their
implications. Eventually Wilmot revealed to a visitor his belief that the works
of Shakespeare had been written by "some other person," perhaps Sir Francis
Bacon. Because the secondhand account of Wilmot's conclusions did not surface
until 1932, the credit for the opening public salvo in the debate is given to
Delia Bacon (no relation to Francis) and William H. Smith, who each published a
book in 1857 suggesting that William Shakespeare of Stratford could not have
been the author of the works of "Shakespeare." Both writers implicated Francis
Bacon.
Nathaniel Hawthorne, who wrote the introduction to Delia Bacon's book, in 1863
also wrote an Atlantic article in which he praised her conviction, if not her
conclusion. Bacon's scholarship had a profound effect on Mark Twain, who said
his disbelief in Shakespeare as the true Bard "was born of Delia Bacon's book."
But neither Twain nor any of the other prominent figures who have expressed
"anti-Stratfordian" beliefs--Henry James, Walt Whitman, and Sigmund Freud,
among others--has exempted the doubters from academic scorn (in many cases well
deserved). The Shakespeare scholar Alfred Harbage characterized them in our
pages in 1956 as "eccentrics of the most familiar type--pathetic victims of the
idee fixe, or wealthy old gentlemen safely indulging a latent hunger to be
'radical' about something."
The anti-Stratfordians are not discouraged, however, and during the past few
decades a solid majority of them have coalesced behind Edward de Vere
(1550-1604), the seventeenth Earl of Oxford, as the "onlie begetter" of the
Shakespeare canon. The Folger Shakespeare Library--a bastion of orthodoxy--last
April went so far as to invite Charles Vere, a descendant of the seventeenth
Earl of Oxford, to present the case for the earl before a packed audience in
the library's Great Hall.
Because authorship debaters typically talk past one another, we allowed for a
two-stage process. We gave the writers here--each a learned and enthusiastic
partisan, one for the Earl of Oxford and the other for Shakespeare--the
opportunity to make his best case. Then each piece was sent to the opposing
writer for rebuttal. A brief look at computer-assisted investigations of the
authorship question follows this exchange.
Copyright ©1996 by The Atlantic Monthly. All rights
reserved.
The Atlantic Monthly; October, 1991; "Looking for Shakespeare"; Volume 268, No.
4;
pages 43
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