When Scarcity Blurs the Line Between Right and Wrong
Megha Majumdar’s second novel imagines how climate disaster might scramble our sense of morality.
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Illustration by Akshita Chandra / The Atlantic A Novelist’s Cure for the ‘Loneliness Epidemic’
Eloghosa Osunde’s new book offers a vision of kinship for a world that is steadily growing more disconnected.
Illustration by Diana Ejaita In Search of a Faith Beyond Religion
Scholastique Mukasonga’s Sister Deborah suggests that some people must look outside the traditional bounds of Christianity to find true spiritual freedom.
Chester Higgins / Bruce Silverstein Gallery Entitlement Is Not an Identity. It’s a Trap.
In Rumaan Alam’s latest novel, a Black woman’s quest for status runs up against her blind spots.
Illustration by Ben Kothe / The Atlantic. Source: Getty. A Family Story About Colonialism and Its Aftereffects
Claire Messud tells a complicated and ambivalent tale about her French family’s history in Algeria.
Illustration by Gabriela Pesqueira / The Atlantic. Sources: Georges Melet / Getty; Jean Tesseyre / Getty. Writing About Yourself Isn’t Inherently Selfish
For Édouard Louis, revisiting the past is an act of survival.
Christopher Anderson / Magnum A Redacted Past Slowly Emerges
This year’s winner of the National Book Award for Fiction, Justin Torres’s Blackouts is a complex story about recovering the history of erased and ignored gay lives.
Illustration by The Atlantic. Source: Jupiterimages / Getty. Colson Whitehead Loses the Plot
Crook Manifesto is both powered and limited by its most absorbing characteristic: the author’s voice.
Photo-illustration by Joanne Imperio / The Atlantic. Sources: Allan Tannenbaum / Getty; Anthony Barboza / Getty; Bettmann / Getty; Donaldson Collection / Getty; Walter Leporati / Getty. A Novel in Which Nightmares Are All Too Real
The Argentine writer Mariana Enriquez shows how violence can haunt and destabilize a civilization.
Illustration by The Atlantic. Source: Eduardo DiBaia/AP; Getty. A World Where Death Isn’t the End
Namwali Serpell’s new book explores grief as it’s really experienced.
Emin Ozmen / Magnum; The Atlantic
